Lord Byron’s influence on the new books

In 2016, I had the pleasure of visiting Newstead Abbey, the property that Lord George Byron inherited from his great uncle in 1978, when George became the sixth Baron Byron.  Byron was a colourful man, and led a life full of intrigue. I had read his work and read letters and stories about his life, but I went to his home to seek more inspiration. He is of course the perfect draw for storytellers, when you are seeking ideas for captivating characters. That is why I went to his home, because I wanted to be able to touch on his life and discover what it was really like rather than just read about him in books. And oh my gosh, I am so glad I went there, because I walked into room after room of inspiration.

As most people know, Byron was a lover of the macabre and Newstead oozes that in a way that made me wonder what came first, the house he inherited or his love of gothic style games. Of course, you can tell from the name, that the property was previously a medieval abbey. What Byron inherited was a tumbled down medieval ruin that had been rebuilt into a Tudor manor. This is probably easier for me to imagine than it is for others to see  because Newstead Abbey has had many later amendments to its layout. But Lacock Abbey, which is just up the road from me, was also converted from an abbey into a stately Tudor home, and that is still very much as it was in the Tudor period.

However at Lacock some of the ruins have been kept in place underneath the Tudor house, so you can still walk about the nuns’ cloister in the middle of the property and in and out of great arched rooms that were once kitchens, storage rooms and the chapter house with its wallpainting and medieval tiles still in situ. At Newstead some of the outer ruins have been preserved . Below you can see the magnificent arch of an old abbey window, that was kept as nothing else but a piece of artwork in the gardens. The arch is not even the entrance to the garden; that is through a very small door to the left.

cropped-img_3758.jpgIn Byron’s day, the stairs were at the front here, though, and the steps went up to the first floor, so the door opened in to what was once the Abbey’s great hall, where the monks would have dined with any travelling pilgrims as guests. Lacock does still have it’s steps that lead directly to the great hall.

The other abbey that has stuck in my mind, as another property sold off by Henry VIII to his nobility from them to turn into a house, is the home that belonged to Jane Austen’s family – Stoneleigh Abbey. At Stoneleigh the entrance directly to the first floor has also been removed, but it’s Jacobean wing gives another context to help you imagine how Newstead would have looked in Byron’s day. Byron’s house also had a newer wing, which he used for guests.

Byron did not inherit much money to accompany his title, and so he could not repair and redecorate the house to any great extent. But he did choose a few small rooms to make a bit more luxurious. Today the other rooms have been changed and completed by the owners who have lived in the property since Byron’s day, but the rooms Byron had decorated are still very much as they were.

The dining room.


The study. Where he wrote when he was at home.

The library, where the goblet he had made from a skull he had found in the gardens was kept. It is only a replica on the table, though. The wife of the man who bought the property from him had it destroyed.


A cellar in the undercroft of the Abbey, beneath the great hall, where he had a table and chairs put out to host small parties, for his friends and female guests.

Lastly his bedroom, which contains the bed he had brought to the Abbey from Cambridge.

The room Byron decorated for himself was in the medieval area of the house, on the opposite side of the house from the Jacobean wing that his guests used (and am I guessing where his mother lived as she shared the house with him and looked after it when he was not there).

To reach his rooms the passages are narrow, climbing up spiralling stone medieval staircases with leaded, small windows cut through the stone, that leave passages cold and shadowy.

There is one example of what the rooms that Byron was unable to renovate would have looked like at the time, (and felt and smelt like – which is why I like going places because pictures only let you experience one sense). This room was Byron’s dressing room. Image the large hall below in the same state then…

If you have already read The Thread of Destiny I am sure you can now see whose house this is in the book. The great hall had its roof replaced and the room was redecorated by a later resident, but in Byron’s day it was where he used to fence and shoot.


Byron used his house as a playground, but he also used the vast grounds that surrounded the Abbey to play in. He kept a pet bear and entertained the bear (without a leash) in the grounds, even playing blind man’s buff. On one side of the grounds is a large lake, where his Great Uncle (who I think was just as eccentric as Byron) used to have mock naval battles with real boats. Byron loved his dogs, and he swam in the lake everyday when he was at home. One game he used to play in the lake with one of his favourite dogs, was to throw himself into the lake instead of a stick to get the dog to drag him out. (My George’s follies are ideas from elsewhere, though, Byron’s uncle was not much of a folly man).

At the back of the house are beautiful formal gardens.


Many other inspirations for the stories in The Thread of Destiny and The Lure of a Poet come from Newstead Abbey, because there is a fabulous area there that has been set up as a museum of Byron’s possessions. In the pictures below are just a few of things that made me think of elements of the stories that have become the first books in The Wickedly Romantic Poets series.

The story in the first of my new books, The Thread of Destiny,  begins at the home of my George, Bridge, Lord Bridges, The Duke of Stonemoor, and as his home is very much as Byron’s was, his character is also very Byronesque. – and how wonderful to be such an exceptional character during your lifetime that a word is created to describe the essence of the personality shown by your life and your work. 

There will be lots more reality based behaviours from my poets in the rest of the series that will be out in 2019.  

Perfect Period Drama

The rule of the red thread of destiny says that everything that is unresolved will be resolved.


The Thread of Destiny


The Lure of a Poet

Delicious Reading_with poet

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Discover hours of period drama (2)

This week my exploration of follies has led me to Old Wardour Castle; to the medieval.

Old Wardour Castle near Salisbury was built in the 14th Century, but I am not writing about its medieval beginnings, or its development into a fabulous Tudor residence; I am exploring it as an example of the Georgian fashion for blending romantic ruins into a landscape garden. After all not everyone has a real ruin in their garden and the fashion for follies meant others were building mock equivalents, aspiring to a former stately ‘keep’. It was the 8th Lord Arundell who asked ‘Capability Brown’ to incorporate the ruins into his new garden design.

The Arundell family were forced to leave Old Wardour Castle when it was damaged during a siege in the Civil War in 1644. They built a smaller house beside it in the 1680’s, outside the wall, and began developing the grounds. The early garden was established in 1730. It was formal and terraced, with a bowling green. It was not until the later 18th Century that the garden reached its romantic peak after the 8th Lord Arundell married an heiress in 1763 and set about building both a new house and a new garden.

The new house was quite deliberately perched upon the slope of a facing hill, so that it looked down on the romantic ruins, painting a picturesque view as the family would have seen sunlight shining back from the fallen walls of their ancestral home, framed by woodland.

The mock gothic Banqueting House which nestles beyond the castle’s curtain wall, was built in 1973-4, while New Wardour was still under construction. It is a place where guests may stop and dine after a visit to the ruins.

To add entertainment to the developing pleasure garden of course it had to have a Grotto, which was placed facing the ruins on the far side from the Banqueting House, on top of the old terrace which was still lined by a yew avenue. It was built in 1792 by Josiah Lane of near by Tisbury, a well known local builder of garden ornaments. And you can see like Pope’s Grotto, and that at Prior Park, it is eclectic, containing ammonites and stalagmites. It has twisting, turning tunnels, and numerous little niches in which the explorer might perch and a frightening aura about it, to inspire the fashionable gothic imagination.

Staying in the gothic style is what survives of Lord Arundell’s stone ring. To add even more authenticity and age to his pleasure garden he transported a 4,000 year old prehistoric ring of stones from Tisbury, and added two seats to it for his guests to idle away their afternoons upon, reading poetry, or painting. In these stone alcoves he incorporated decorated stone from the fallen ruins.

I can easily imagine a house party riding out from New Wardour to the ruins for an afternoon of adventure and exploration, for their entertainment. Running through the grotto tunnels, and climbing up through the ruined tower’s rooms to reach the highest point and there carving their names to remember the visit. They would have dined lavishly in the banqueting hall, enjoying their host’s hospitality and then perhaps sat in the alcoves of the stone ring or the grotto, flirting, resting, talking, painting or reading.

And yes there is Graffiti, some from the days of these house parties, and some from later days in the 1800’s when in 1830 the ruins were opened to the public and the banqueting hall became a place for visitors to obtain refreshment, including one private dining room for the more influential. Though in some places it is hard to tell the old graffiti from the new, where it has been worn away by rain and carved over again.

Jane Lark is a writer of authentic, passionate and emotional love stories.

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