Georgian Stories | Author, Jane Lark's stories

I’m going backwards again and sharing another inspiration behind the story of Entangled. I mentioned yesterday, my leaning toward the macarbe (it is definitely no wonder that I’ve ended up moving into writing thrillers). Like I said, I’d prefer to stand on Lyme Regis harbour wall watching a threatening, storming sea thrashing the stone wall, than laying flat on a sunbed on a tropical beach.

So the fascination I have with antique mourning jewellry shouldn’t really come as a surprise. Although, I don’t think I’ve shared that on my blog before. By the time of the regency period many people wore jewellry with an artfully placed lock of hair held in place by glass, to remember a loved one. It might be to remember a living person, but more often it was to remember someone who had passed. It may sound strange today, but it’s not really, they didn’t have a stack of albums or computer folders full of photographs. Perhaps they had a minature portrait, it they were lucky, often just one. Employing artists was a more expensive luxury than jewellry. There were more jewellers than artists because you can’t just learn to be a painter who can precisely capture someone’s appearance as you can learn to manipulate metals, there has to be some rarer natural skill. Therfore, a jeweller’s time was less expensive than a good artist’s. The phrase ‘paying an arm and a leg’ for something comes from the fact that a full portrait was expensive and most people, even the upperclass, would only pay for the head and shoulders. But also, someone’s hair means you retain a part of their presence.

There’s a mourning brooch at Jane Austen’s cottage museum at Chawton containing her father’s hair. If you look out for peices of jewellry in museums and antiques shops, you’ll see a lot, and some, like those in the heading images are really beautiful. I think it’s brilliant. I imagine people regularly looking at their pieces or touching them, rubbing a finger or a thumb over the glass as they think of their missing loved one. It would bring the memories and the good emotions back. Wearing a brooch or a ring with a loved one’s hair inside, meant you always had a part of the person with you.

Of course, because I love mourning jewellry, I had to weave it into the story of atleast one book ( 😉 ). Remember also that last week I told you about Ed Sheeran’s song Photograph, which is about a locket, inspiring aspects of Entangled. James, one of my Wickedly Romantic Poets, is a lover of keeping hair, and that is also an intergral part of the story which links the first book in the series to the last. He cuts a lock of Clio’s hair in the prologue of the Thread of Destiny, and he’s already wearing a ring containing the hair of his deceased mother.

I have recently discovered that I have dyspraxia as well as dyslexia and the way my mind works perhaps makes a little more sense now, because I litterally look at a piece of mourning jewellry and my mind races with questions and the desire to see and know that person. So when I saw this minature with what I think must be a lock of his hair, I had to buy it. It makes the image of him more real, giving it a 3D context.

I’ve tried to find out who this gentleman is, without any luck unfortunately, nor can I tell who owned this, his wife, mother, lover … I don’t know. It must be someone who wanted to keep him close while he was distant, because I assume it was made when he was alive, due to the painting. But then the thing with not knowing is that I have to make it up, and that’s a joy and exactly where stories begin …

I didn’t say above, but this bracelt in Beatrix Potter’s cottage is not only displaying human hair, the actual braclet is woven peices of human hair.

Oh and one more cheeky fact before I end this post, I have said it before in my Scandalous Women posts, but I’ll share it again. Lady Caroline Lamb and Lord Byron shared pubic hair, so, I’m sure a lot of that went on too. I didn’t put that act of his in my poets novels, though. 😀

Inspirations for the Wickedly Romantic Poets Series

Lets talk about the macabre: was Bryon truly so original
Lord Byron’s influence on the Wickedly Romantic Poets Series
Three old houses that inspired part the plot and some of the settings in Treacle Moon
Touring Rome for Treacle Moon
Entangled’s inspirations
- How a novel begins …

Mary and the poet percy Bysshe Shelley, who she married in 1816 after a long affair, lived in Bath between 1816 and 1817 (I do know this was because Percy was hiding from people he owed debts to in London, and Mary’s family had disowned her prior to thier marriage so her father and step-mother would not offer her protection). The information below, that is on display in The Pump Room in the City of Bath, explains how scientific lectures that she attended in Bath influenced the novel that she completed during the time she lived in the city. It was quite a strange time for the couple, because Percy’s wife was found drowned in the river Thames, pregnant by another man. It appeared to be suicide. It left him fighting a legal battle to be able to see his children too, which is potentially one of the reasons he hastily married Mary. He was not a monogomous man in any context, and was potentially having an affair at the time, but living in sin was turning the odds against him and making the chances of him winning the custody of his children unlikely.

The initial inspirations for the creation of Mary’s monster are known to be linked to her father’s creation of a sinful woman, through his strong political views about the rights of women, who he then disowned. Although she was welcomed back like the prodigal son after she married Shelley (I wonder which of my books that might connect inspirations too, can you spot a similarity in the Lure of a Poet perhaps … 😉 only my poet is definitely nicer).

It does make you wonder about all these influences in Mary’s life, though, and imagine how they played out in what is a very dark story.