Anne Hathaway’s Cottage is another fascinating place…

You can walk from the centre of Stratford on Avon out to Anne Hathaway’s cottage, in what was once the Hamlet of Shottery. It is a nice thing to do if you can, as it makes you realise how far William Shakespeare would have walked to court the woman who was much older than him. He had scarcely finished his schooling days in the guildhall, or perhaps they began their affair when he was still at the school. But he definitely made an effort to meet up with Anne, it was not a casual endeavour, and you can mull over of his potential feelings and intent as you walk. While most of the walk is now through housing estates the cottage itself still feels as though it’s in a village location.

The cottage, Anne’s family home, where she was born and raised until she left when she married William, is preserved in the state it first became a tourist destination in the 18th Century. This home for sheep farmers was originally called Hewlands Farm. Its first phase was built in the 1400s, a simple long hall like dwelling that was leased to farmers by the land owner (very much like the house I live in). Unlike the guildhall in the town, this humble dwelling did not survive with many of its original features. As someone’s home it would have been updated with new fashions, and was extended as ways of living changed over the centuries. However in the 1700s they were far from modern ways of living, which means many very old structures and furniture has survived in situ.

You’ll see on these boards how the cottage changed over time to look as it does now …

What I loved most about the cottage, though, was the stories the guides told, and the best story, was why this property is so well preserved.

When Stratford on Avon became a place of pilgrimage for the famous, wealthy and other literary tourists, as I explained in my blog about why we remember and celebrate William Shakespeare’s birthplace, Anne Hathaway’s descendants had fallen on hard times financially. With these travellers coming to see and touch anything that had anything to do with Shakespeare, they saw on opportunity to earn money from their deceased relative’s good fortune and opened the door of the cottage to tourists. Visitors were told tales about the love affair between Shakespeare and his then future wife Anne.

A letter from Samuel Ireland, the 18th Century author, to his friend John Jordan, explains how Susanna Taylor, nee Hathaway, had sold him the exact chair that Shakespeare had sat in to court Anne. Who knows if that ‘courting chair’ was really in the house at the time of Shakespeare. Perhaps even Susanna didn’t know if that was true or not… There were records in the house that recorded visits from many of the renowned Regency poets too. Lord Byron, Shelley, and great actors like George and David Garrick, spent hours at the cottage, visiting regularly because the setting gave them inspiration. Even though at the time it was still a simple small farm. The family were making so little the house was split into three properties so they could rent the two ends of it to others.

Then came a more wily woman. Mary Baker, Susanna’s great grand-daughter, was definitely what we would call an entrepreneur today.

Mary saw the numbers of people visiting the buildings connected to Shakespeare’s life in the town grow, and in comparison hardly anyone would walk out to Hewlands Farm in Shottery. So she had a genius money spinner of an idea, she renamed the farm Ann Hathaway’s Cottage to make sure people would know the connection. It worked, it brought an increase in visitors. She gave them tours of her home, and told tales of William’s and Anne’s love affair, even talking through where they would have made love before their wedding.

She charged for everything – for her time, to serve tea and a ‘Shakespearean pork-pie’ in the very sport where William would have made love to his Anne, and for people to drink from the well that he would have drunk from. She gave people a gift from the garden too, picking single flowers to give to visitors to keep as a memory or send to others, again supporting the sense of romantic living.

She kept a visitors book, and even Charles Dickens and Mark Twain are recorded as visiting.

Her best story/hustle that I discovered, though, were the pieces of wood she allowed her visitors to chisel off an old oak two seater settle where she claimed William Shakespeare sat beside Anne during they’re courtship. The current managers of the property, The Shakespeare Trust, know that the settle is no where near that old. It was complete nonsense and Mary Baker knew it.

It makes me wonder what other tales she made up to con these gullible visitors. Ha! Ha!

So, what is original to William Shakespeare’s days in the cottage? …

The floor! the flagstones on some of the floors, polished by so many feet, and the door frames Anne and he would have walked through.

As you can tell, this is another place I would definitely recommend you visit if you go to Stratford on Avon.

Mary Shelley the author of Frankenstein; her own and the novel’s connection with the City of Bath

Mary Shelley

This information surprised me, it is something I was unaware of, despite studying Percy’s and Mary’s life and drawing out many inspirations from their experiences for my Wickedly Romantic Poets novels. So I thought I would share it with you in case you are surprised and interested too.

Mary and the poet percy Bysshe Shelley, who she married in 1816 after a long affair, lived in Bath between 1816 and 1817 (I do know this was because Percy was hiding from people he owed debts to in London, and Mary’s family had disowned her prior to thier marriage so her father and step-mother would not offer her protection). The information below, that is on display in The Pump Room in the City of Bath, explains how scientific lectures that she attended in Bath influenced the novel that she completed during the time she lived in the city. It was quite a strange time for the couple, because Percy’s wife was found drowned in the river Thames, pregnant by another man. It appeared to be suicide. It left him fighting a legal battle to be able to see his children too, which is potentially one of the reasons he hastily married Mary. He was not a monogomous man in any context, and was potentially having an affair at the time, but living in sin was turning the odds against him and making the chances of him winning the custody of his children unlikely.

The initial inspirations for the creation of Mary’s monster are known to be linked to her father’s creation of a sinful woman, through his strong political views about the rights of women, who he then disowned. Although she was welcomed back like the prodigal son after she married Shelley (I wonder which of my books that might connect inspirations too, can you spot a similarity in the Lure of a Poet perhaps … 😉 only my poet is definitely nicer).

It does make you wonder about all these influences in Mary’s life, though, and imagine how they played out in what is a very dark story.