Lord Worcester’s love turns desperate and Harriette resorts to disguise

Harriette_Wilson00When Harriette’s memoirs reach this stage of her life, I start hearing a bitter anger between her words, as though she’s become really unhappy with her lot in life. It is also a little poignant that during telling this piece of her story she includes a long aside, reflecting back on the past and her former popularity when she was the height of regency fashion.

But before I tell you the beginning of the end for Harriette’s affair with Lord Worcester, let me do the quick recap for anyone joining this series of posts today. If you’ve read it as usual skip to the end of the italics.

In 1825 Harriette Wilson, a courtesan, published a series of stories as her memoirs in a British broad sheet paper. The Regency gentleman’s clubs were a buzz, waiting to see the next names mentioned each week. While barriers had to be set up outside the shop of her publisher, Stockdale, to hold back the disapproving mob.

Harriette was born Harriette Debochet, she chose the name Harriette Wilson as her professional name, in the same way Emma Hart, who I’ve blogged about previously, had changed her name. Unlike Emma, it isn’t known why or when Harriette changed her name.

She was one of nine surviving children. Her father was a watchmaker and her mother a stocking repairer, and both were believed to be from illegitimate origin.

Three of Harriette’s sisters also became courtesans. Amy, Fanny and Sophia (who I have written about before). So the tales I am about to begin in my blogs will include some elements from their lives too.

For a start you’ll need to understand the world of the 19th Century Courtesan. It was all about show and not just about sex. The idle rich of the upper class aspired to spending time in the company of courtesans, it was fashionable, the thing to do.

You were envied if you were linked to one of the most popular courtesans or you discovered a new unknown beauty to be admired by others.

Courtesans were also part of the competitive nature of the regency period too, gambling was a large element of the life of the idle rich and courtesans were won and lost and bartered and fought for.

So courtesans obviously aspired to be one of the most popular, and to achieve it they learnt how to play music, read widely, so they could debate, and tried to shine in personality too. They wanted to be a favoured ’original’.

The eccentric and outspoken was admired by gentlemen who liked to consort with boxers and jockeys, and coachmen, so courtesans did not aim for placid but were quite happy to insult and mock men who courted them, and demand money for any small favour.

The Marquis of Worcester. 7th Duke of Beaufort. in later life

The Marquis of Worcester. 7th Duke of Beaufort. in later life

Well poor Lord Worcester had been ordered home, as his parents had lost any level of tolerance for the debauchery of their son.  I believe they were terrified of him actually marrying Harriette and ending up with a courtesan as a future duchess. However Harriette says he still wrote to her daily, and told her in his letters he believed he had lost his parents, as they wanted nothing to do with him, and yet they would not let him go, but kept him in his room. He said he would just walk out but his mother was ill, and his father claimed she was near death. But he could not stand to be without Harriette, he could neither sleep nor eat without her. So he begged her to come to Oxford in disguise and he would sneak out while his father thought him asleep and meet her at midnight.

Harriette says ‘were I to give my readers these letters, in Worcester’s own expressions, there would be no end to them, since every other word was angel! or adored wife, or beautiful sweet Harriette, or darling sweetest! sweetest darling! dearest dear, dear dearest, etc. so perhaps they will prefer taking all these sweets at once, that I may proceed quietly…’ (you’ve gotta love the girl and her sarcasm).

Before travelling to Oxford, Harriette tells us she visited her sister in her new costume of a country maid, wearing blue stockings, thick shoes, a coloured gown, a blue check apron and a coloured neck-handkerchief, along with a cloth cap and bright cherry coloured ribbons, along with her fare to Oxford tied in another handkerchief. Her sister and her friend Julia did not recognise her at first, but then found her costume, including her red cloak, highly amusing.

A 19th Century stage-coach

A 19th Century stage-coach

And now, as last week we had a wonderful description of an inn, we have a fabulous description of her journey on a stage-coach, which she said was being loaded at the door of the Green Man and Still. ‘You’re not apt to be sick, are my dear?’ a man, Harriette describes as ‘fat-faced’, and ‘merry-looking’ with a red handkerchief tied about his chin (perhaps to avoid unwanted smells or germs) asked as she boarded. She claims he and a woman she thought to be his wife had already claimed the two best seats. ‘Because, my dear, you see, many people can’t ride backwards; and there’s Mrs Hodson, my wife, as one of them.’ Harriette assured him she did not suffer, while his wife sharply put him right for using the term, my dear, to Harriette.

Outside the carriage Harriette describes a woman in a green habit, complaining about her travelling basket being thrown in the boot, and asking for it back, because she did not trust that it would be handled with any care. The merry-looking gentleman replied to her insistence ‘Come, come Ma’am, your thingumbobs will be quite safe. Don’t keep three inside passengers waiting, at a nonplus, for these trifles!’

The lady took offence at her items being called trifles, and Harriette says she turned to a French man who carried a unmberella, a book of drawings, and English dictionary, and a microscope, and urged the man by name to help her get her baggage out of the boot. But the coachman refused her urging and said he must be gone. So the couple climbed in.

The last traveller was a poor looking man who ran and climbed into the carriage at the last moment, then proceeded to pat perspiration from his brow with a handkerchief, while Mrs Hodson looked at him with dismay and moved her ‘Lavender-coloured silk dress close’ to avoid contamination.

Harriette describes the clothing of the French man too, a ‘dashing threadbare green coat, with a velvet collar; and his shirt collar was so fine, and so embroidered, and so fringed with rags, that I think he must have purchased it out of the Marquis of Lorne’s cast warderobe.’  He turned out to be a wig maker, and Mr Hodson a shoe maker, and Harriettee recounts an odd conversation between the two of them and the poor Irishman who had boarded last, about unpaid for shoes, and the quality of wig making in Ireland.

But she claims to have remained silent as they travelled, and when they stopped at the inns on the way to refresh the French man read his books, while the woman in the habit also kept silent.

When they reached the Crown Inn at Oxford, Lord Worcester was already waiting, ‘large as life’ and Harriette says she was so well disguised when she touched his arm he pushed her off, and it was only when she spoke that he recognised her, ‘Mr Dobbins, don’t you recognize your dear, Mrs Dobbins.’ (Dobbins being the name he had told her they would use at the inn).

Good God, my love!” … Lord Worcester handed me upstairs, all joy, and rapture, and trembling anxiety lest I catch cold… In less than a quarter of an hour, thanks to his good care, I was in a warm bed, and an excellent supper was served by the side of it, with good claret, fruit, coffee and everything we could possibly require.’

She says they talked all night because they had so much to say. And now, finally Harriette reveals that actually although she had been denying it for a long while the idea of marriage was a possibility she might accept. Perhaps because now, she must have realised that if she didn’t marry him now, the end was likely to come soon, and she would lose the chance of the greatest coup, her perfect happy ending. Imagine the credibility and notoriety she would gain by becoming a duchess. It would give her security for life, when the fame she gathered in her immoral way of life was drawing to a close.

Worcester declared that he looked forward to no hope nor rest, until we should be really married.

I entreated him to consider all the inconveniences of such a match. ‘Your father will never forgive you remember!’

‘That I will deeply regret… but I must and will choose my own partner for life. You and I have passed weeks, months, years, together, without having had a single quarrel. This is proof positive, at least,  that our tempers harmonize perfectly together, and I conceive that harmony of temper between man and wife is the first and greatest blessing of a wedded state.’

Harriette agreed with him, and they then began discussing how the might travel up to Scotland on the mail, and Lord Worcester said she could wear the pretty dress she’d come in disguise in, and he would take his coachman to as a witness. Then they joked over what the coachman would wear, a white suit with a nosegay.

She told him they need not travel to Gretna in search of a dirty blacksmith. When he asked how else they might marry before he was of age, she answered that a vicar in London said he would do it by special licence if Worcester would agree to him spending the first not of their marriage with Harriette. She then says she was only joking with him all along (I still doubt that – and in fact I think this was partly written to Lord Worcester, who I am sure she knew would read her memoirs, to tell him she had never wished to marry him). Especially as she goes on to profess for four lines every reason she has not to wish to marry him, denying any ambition – (our Harriette?)

They parted at nine am, but Lord Worcester refused to let her travel back on the stage-coach and hired a ‘hack-chaise’ for her to travel alone. Sadly this caused greater problems, because when she was only a mile outside of Oxford she past one of Lord Worcester uncle on the road, who probably though it odd that a woman dressed as a servant was travelling alone and looked hard at her. Harriette covered her face, but even so when she had returned to town, she received a letter from Lord Worcester who said she had been recognised. Though he claimed not to have seen her, and had no knowledge of her whereabouts…

Their story turns even more interesting next, but I’ll save that for next week… 🙂

Jane Lark is a writer of authentic, passionate and emotional love stories.

See the side bar for details of Jane’s books, and Jane’s website www.janelark.co.uk to learn more about Jane. Or click  ‘like’ on Jane’s Facebook  page to see photo’s and learn historical facts from the Georgian, Regency and Victorian eras, which Jane publishes there. You can also follow Jane on twitter at @janelark

A theatre trip shows up the contrast between a courtesan and a prostitute

Harriette_Wilson00We are going to have a little comma in Harriette’s and Lord Worcester’s story today, as he’s gone off to see his father, and she is in London alone.  So, on her own again, but still under the promise of fidelity to Lord Worcester, Harriette visits the theatre with a friend and gives us a rare insight into the difference of the world of a courtesan and the world of a prostitute.

But before I tell Harriette’s story of today let me recap on the history of this series of posts for anyone reading them for the first time, if you’ve already read this, as usual, skip to the end of the italics.

In 1825 Harriette Wilson, a courtesan, published a series of stories as her memoirs in a British broad sheet paper. The Regency gentleman’s clubs were a buzz, waiting to see the next names mentioned each week. While barriers had to be set up outside the shop of her publisher, Stockdale, to hold back the disapproving mob.

Harriette was born Harriette Debochet, she chose the name Harriette Wilson as her professional name, in the same way Emma Hart, who I’ve blogged about previously, had changed her name. Unlike Emma, it isn’t known why or when Harriette changed her name.

She was one of nine surviving children. Her father was a watchmaker and her mother a stocking repairer, and both were believed to be from illegitimate origin.

Three of Harriette’s sisters also became courtesans. Amy, Fanny and Sophia (who I have written about before). So the tales I am about to begin in my blogs will include some elements from their lives too.

For a start you’ll need to understand the world of the 19th Century Courtesan. It was all about show and not just about sex. The idle rich of the upper class aspired to spending time in the company of courtesans, it was fashionable, the thing to do.

You were envied if you were linked to one of the most popular courtesans or you discovered a new unknown beauty to be admired by others.

Courtesans were also part of the competitive nature of the regency period too, gambling was a large element of the life of the idle rich and courtesans were won and lost and bartered and fought for.

So courtesans obviously aspired to be one of the most popular, and to achieve it they learnt how to play music, read widely, so they could debate, and tried to shine in personality too. They wanted to be a favoured ’original’.

The eccentric and outspoken was admired by gentlemen who liked to consort with boxers and jockeys, and coachmen, so courtesans did not aim for placid but were quite happy to insult and mock men who courted them, and demand money for any small favour.

It was not one of Harriette’s – fast – friends, other courtesans, but what Harriette terms a prudish friend who she went to the theatre with regularly. I picture this as a moment Harriette took off work. Most of her life she spent on show, being a larger than life figure to capture the interest of men, trying to be the prettiest and the wittiest. So, perhaps these nights out with a ‘prudish’ friend were escapism. They did not sit in a box, so they were not seeking to draw attention to themselves. They went dressed in blacks, and sat on the benches in one of the balconies, purely to enjoy the play.

Of course though, Harriette being Harriette, could go nowhere unnoticed. She speaks of several men watching her during the play, and her friend complaining that, wherever she went, why and how did she draw so much male attention.

There was one young man who watched Harriette, who she believed she recognized, because he had the look of his brothers, a Stanhope.

Of course while they watched the play and everyone was in their seat on the benches the fact that men ogled her was only an irritation to her friend. Harriette admits she didn’t care, she was flattered. But the problem came when the performance had ended…

Harriette tells us how she and her friend got lost in the theatre and ended up following others to find a way out, all the time sensing the young Lord she’d recognized from his family appearance following her. But they went the wrong way and found themselves in a room full of men, but not the sort of men Harriette usually entertained the interests of – these were no gentlemen.

The difference between being a courtesan and a prostitute was that the gentlemen Harriette traded with treated her as they would their wives, sisters or mothers, apart from one obvious difference in that they had a physical relationship, for which they paid. But the men she discovered in the lobby were of a lower class, a class who treated whores as whores. There was no kindness or building of a relationship. When a man hired a prostitute it was just a transaction exchanging money for the act with no need to charm.

There were two forms of high-society in the early 1800s. The beau monde – those who were deemed the elite in society, the aristocracy mainly, and the demimonde , who contained members of the men from beau monde and their favoured courtesans, but excluded any baser relationships with prostitutes. The demimonde lived in their style of elite society and had just as many rules about what was and was not done. The behaviour Harriette encountered in the lobby they ‘d stumbled into was not the sort of behaviour she was used to. If she attended the theatre alone, or with any of her male friends, she was just as much above this class, as the aristocracy.

Her friend’s bonnet was lifted as she was asked if she was ‘the bawd.’ Then asked what she’d ask ‘for the pretty black-eyed girl.’ While the man who asked the question touched Harriette indecently. Harriette says ‘I resisted these disgusting liberties with all the strength of my little hands, they only fell into roars of laughter.’

When Harriette’s prudish friend said, ‘Are there no constables here?’  The men in the lobby only insulted them more.

One walked over to the constable at the door, telling him ‘I say, my boy, that woman insists on having you to go home and sleep with her; but she is perfectly welcome, so that she leaves me her daughter.’ Then this man tried to pull Harriette away with him.

Harriette describes herself as angry, but that there are tears in her eyes, and that she was shaking and blushing, implying she was totally out of her depth.  Over hearing the prostitutes that probably were in the lobby, although she only describes them as women, she speaks of them using language that made hers and her friend’s ‘blood run cold’ and says that with each step they were subjected to ‘fresh insult of the grossest and most disgusting nature.’

All the time the young Stanhope was following them, but at a distance, and Harriette prayed he’d come forward and protect them. It took a man to try to slip his hand into her bodice to finally bring the young lord forward. Harriette said she knew him, and he confirmed himself to be the brother of the Stanhopes she was acquainted with, and begged him to escort them to a Hackney Carriage.

He in fact escorted her all the way home, and took her to the theatre on several nights after this, considering himself infatuated with Harriette. Well that was until Harriette’s sister, Amy, spotted the competition and of course won him for herself, disappearing off to a country inn with him for an affair that lasted a week. Bless Amy, forever the jealous schemer.

Next week back to Harriette and Worcester…

Jane Lark is a writer of authentic, passionate and emotional love stories.

See the side bar for details of Jane’s books, and Jane’s website www.janelark.co.uk to learn more about Jane. Or click  ‘like’ on Jane’s Facebook  page to see photo’s and learn historical facts from the Georgian, Regency and Victorian eras, which Jane publishes there. You can also follow Jane on twitter at @janelark