The Whitehall Palace Banqueting House

A long time ago someone told me that under the buildings by the river Thames near to Westminster Palace was Henry VIII’s wine cellar. I always thought it was strange to have a wine cellar a distance away from Westminster. I also knew that the street called Birdcage Walk, where I used to facilitate training events a few years ago, was named Birdcage Walk because it used to be the site of James I’s bird cages. But I could never work out how that related to anything else either.

But when I visited Banqueting House in London, I discovered why. Alongside the river, just over the road from the palace of Westminster, there used to be the largest palace in the Europe, Whitehall Palace.

The property and land belonged to the church initially and the kings of England stayed in Westminster Palace when in the London. But in the hands of Cardinal Wolsey’s the old palace became the grandest house in London. So when Henry VIII removed the Cardinal from power, he decided to make it his home when he stayed in London. It was renovated and extended to become fit for a King and his court. The image below is an impression of the palace. You can see how easily the King could have travelled on the river from the palace.

The current banqueting house was completed in 1622, commissioned by James I. He loved the fashionable masque’s that the royal family put on to impress their courtiers and had the engineer who created the moving scenery for the plays design the hall itself. It became a hall in which our royalty loved to show off; whether that was through plays that professed them to be gods and saviours of humanity, or through huge banquets to greet and impress dignitaries from foreign countries.

But there is a morbid tale to tell about the banqueting house too. King Charles I was lead out of Whitehall Palace through the banqueting house to a platform that had been built on scaffolding outside so that the crowds could see him. His footsteps would have rung on the broad wooden floor and echoed about the huge room. Above him, as he walked, were the paintings he’d had commissioned that portrayed both himself and his father as honoured and disciplined gods. He stepped out onto the platform through one of the hall’s windows and then his head was severed before the backdrop of the beautiful hall.

When the Royals were reinstated in England, King Charles II spent much of his time with his court at Whitehall. Samual Pepy’s diaries tell us about life in the palace when it was at its height. A story of life at Whitehall Palace

We don’t know about Whitehall Palace now because it was destroyed in a fire in 1698. The only part of it that survived was the banqueting house… Oh and a wine cellar obviously.

🙂 I thought this was a good little story to share while the Gunpowder period drama is on, as the programme has many scenes around Westminster and Whitehall.

The Marlow Intrigues: Perfect for lovers of period drama

The Tainted Love of a Captain #8 – The last episode in the Marlow Intrigues series

The Lost Love of Soldier ~ The Prequel #1 ~ A Christmas Elopement began it all

The Illicit Love of a Courtesan #2

The Passionate Love of a Rake #3

The Scandalous Love of a Duke #4

The Dangerous Love of a Rogue #5

The Jealous Love of a Scoundrel #5.5

The Persuasive Love of a Libertine #5.75 now included in Jealous Love, (or free if you can persuade Amazon to price match with Kobo ebooks) 😉

The Secret Love of a Gentleman #6

The Reckless Love of an Heir #7

Jane’s books can be ordered from most booksellers in paperback

Go to the index

For

the story of the real courtesan who inspired The Illicit Love of a Courtesan,
another free short story, about characters from book #2, A Lord’s Scandalous Love,
the prequel excerpts for book #3 The Scandalous Love of a Duke

Jane Lark is a writer of authentic, passionate and emotional Historical and New Adult Romance stories, and the author of a No.1 bestselling Historical Romance novel in America, ‘The Illicit Love of a Courtesan’.Click here to find out more about Jane’s books, and see Jane’s website www.janelark.co.uk to learn more about Jane. Or click ‘like’ on Jane’s Facebook page to see photo’s and learn historical facts from the Georgian, Regency and Victorian eras, which Jane publishes there. You can also follow Jane on twitter at @janelark

The story of Barbara Palmer, Countess of Castlemaine – Mistress of King Charles II

Barbara Palmer, Countess of Castlemaine

This week I thought I’d tell another story from the era of King Charles II and reveal some more of the scandalous behaviour which went on at court.

King Charles II was known for his insatiable appetite with women. He had many mistresses and rarely one at a time but the lady whom I am going to speak of today was one who kept his interest for several years. She was Born Barbara Villiers she was the only child of the 2nd Viscount Grandison who died during in the Civil. His death left Barbara and her mother penniless as his lands were confiscated and all his money had been invested in supporting King Charles I. Her mother remarried, taking her father’s cousin as a husband, but they still had very little money. Yet they stayed loyal to the Royals and when King Charles was executed turned their allegiance to his son who was at the time in hiding in The Hague where the Stuart’s had retreated for safety, as I mentioned in my last blog.

There is a tale told about Barbara’s family that each year on Charles II’s birthday they crept down into their dark unlit cellar and toasted his health in secret. If this is true it would seem that his image was romanticised in Barbara’s eyes from an early age.

Barbara Palmer, Countess of Castlemaine

Barbara was described by diarists of the time as tall and voluptuous, with thick auburn hair and blue/violet eyes, her beauty was said to be striking. It was no wonder then that she traded on her looks from a young age when she had no dowry to commend her. The first man she is known to be romantically linked to is Philip Stanhope, 2^nd Earl of Chesterfield but he wanted a wealthy wife and would not marry her. Barbara married Roger Palmer on 14^th April 1659, before Philip Stanhope wed, and one rumour which abounds about her is that her first child was Chesterfield’s but this child was born during her affair with Charles II and Charles did acknowledge the child as his. It was only a year after her marriage that she became mistress to Charles II in 1660. He was still in exile in The Hague at the time. Barbara had sailed there with her husband who was a Catholic, to join the out-placed court of supplicants who still sought Royal favour.

It sounded as though Roger Palmer’s father had the measure of Barbara because he’d told Roger not to marry her and claimed she would make him one of the most miserable men in the world. They were living separately by 1662, despite Charles II favouring Roger for his wife’s generosity with two titles, Baron Limerick and Earl of Castlemaine.

Barbara bore Charles five children which he acknowledged.

Lady Anne Palmer (who was later renamed Fitzroy) born 1661
Charles Palmer (who was later renamed Fitzroy) born 1662
Henry Fitzroy born 1663
Charlotte Fitzroy born 1664
George Fitzroy born 1665
Barbara Fitzroy, the sixth child, was born in 1672 but Charles’s never actually acknowledged her

(The surname Fitzroy comes from the meaning son of the King)

Barbara Palmer, Countess of Castlemaine, with her son Charles Fitzroy

Her period of greatest favour with the King was in 1662 when she gave birth to his son at Hampton Court, showing no desire to hide her child’s parentage, while the King was on his honeymoon. On his return he appointed her Lady of the Bedchamber to his wife, Catherine of Braganza. For obvious reasons his wife complained about it. She had fallen in love with Charles on honeymoon and was destroyed when she returned to find his lover encamped at Hampton Court. Why would she wish her husband’s mistress attending to her in her bedroom? It is well recorded that Charles frequently favoured Barbara over his wife, making a fool of Catherine and even arguing with her and tricking her into acknowledging his mistress while Barbara gloated over her influence. Charles’s interest in Barbara soon slackened after 1662 although clearly their affair continued as they had more children, and diarists of the time record the on off affair. But Charles’s favourite of 1663 was Frances Stuart, whom Barbara had on one occasion mockingly married for a joke. In this year Barbara converted to Catholicism. We can only guess at her reasons, but perhaps it was to try and regain the king’s favour.

In 1670, with Barbara’s affair with Charles drawing to a final close, as Barbara grew older and the king turned to younger lovers, Charles made her Baroness Nonsuch as she was the owner of Henry VIII’s Nonsuch Palace, he also named her Countess of Castlemaine and Duchess of Cleveland, unusually declaring her Dukedom of Cleveland would pass to her first son, Charles Fitzroy, on her death. All honours for favours served of course and perhaps parting gifts. This was the rumour running through the court at the time.

Barbara Palmer, Countess of Castlemaine

While King Charles II took lower status lovers, particularly thinking of the actress Nell Gwynne who is commonly romanticised as an orange seller. So did Barbara, building up a reputation for promiscuity. One of her lovers was an acrobat, Jacob Hall, and it was well known that her lovers benefited financial from her arrangements with them. Equally as Charles’s lovers got younger so did Barbara’s and she became quite the Cougar. Barbara Fitzroy, Barbara Palmers daughter, born in 1672, is believed to have been fathered by Barbara’s second cousin John Churchill who built Blenheim Palace when he was much older.

John Churchill’s, Blenheim Palace

There is a mock-up of the court intrigues scenario in the upstairs rooms of Blenheim Palace if you visit there, with Barbara in the bed, the sheets covering her naked body, while John Churchill is hidden in the wardrobe as the King knocks on the bedroom door coming to his mistress. It is a true scenario although I think by this time the King probably cared very little what Barbara did and merely used her bed when he wished to. Barbara was also a lot older at the time than she is portrayed in this scene. The story at Blenheim indicates John seduced her and my guess would be it was the other way about. She may well have even deliberately timed the liaison to try and make the king Jealous. I think that would have been pointless too when Charles had his pick of beautiful woman at court and beyond. My assumption that Barbara seduced John is supported by the fact he benefited handsomely from the liaison, by the sum of £5,000 no less, which was a fortune at that time.

Blenheim Palace, called a palace as the land it’s built on was donated by the crown and is still owned by the Queen

What I find quite amusing though is that John must have favoured Barbara’s style of personality, it is said she was bad-tempered and dominant, but equally in her own brash way, the life of the party. John later married a woman of a very similar temper who most men could not get on with but he seemed to adore her. Again if you visit Blenheim they have a display about John’s wife and the sharp way with which she managed the architect and builders of Blenheim Palace while he made his name fighting wars abroad communicating regularly with her and they wrote to each other in very honest appraisal.

Certainly Barbara’s affair with the King was long over by 1676 when she went to Paris and lived there for four years with four of her children.

Like many women of history who spend their younger days living on their beauty through promiscuity the story of Barbara’s latter years grow much sadder as her looks fade.

Barbara Palmer, Countess of Castlemaine

After Charles’s death in 1685 Barbara had an affair with an actor who had a notorious reputation for using women. Barbara even bore him a child in 1686. In 1705 Barbara’s husband Roger Palmer died and then Barbara fell pray to a fortune hunter. By records of her later divorce this relationship was extremely tawdry and Barbara had tumbled to the lowest point of her life. The stories recorded at the time describe Barbara as lustful with a strong sexual appetite, and so when this young man paid her court she was very willing to take up with him and then marry him, believing him devoted. The only thing he was devoted to was her money. The man she married was Major General Robert “Beau” Fielding. He was known as “Beau” in recognition of his good looks and he was unscrupulous.

While Beau was married to Barbara he had two actresses as mistresses and not only them, when one of Barbara’s granddaughters fled to her dissipated grandmother for protection after her marriage failed due to an affair, Beau set up a relationship with the Barbara’s granddaughter too, in Barbara’s own home. Once this granddaughter left the house the affair continued for a few more months unknown to Barbara and the granddaughter bore Beau a child, although the affair had already ended by the time it was born.

This all came out in the end and was recorded in divorce records of the time and detailed in scandal columns as finally it came to light that not only did Beau have mistresses but he also already had a wife. He had bigamously married Barbara only to obtain access to her wealth. Barbara died at the age of 68 on 9^th October 1709. What a sad bitter ending to her life when she had known so much earlier acclaim as King Charles II’s mistress. Barbara’s portrait still hangs in Hampton Court among the group of Ladies in Waiting King Charles II had painted by Sir Peter Lely. The pictures were known for being particularly risqué with a strong sexual indication and the image of Barbara has her bodice slack, so you might almost see her nipple, while her eyes are heavy-lidded in a come hither look and her left hand grips a sword.

To learn more of Barbara you can read Pepys diaries on the intranet. This link leads to the tale of the war between Barbara and Charles II’s wife recording how Barbara manipulates Charles into not only disgracing his wife but treating her with appalling cruelty.