Anne Hathaway’s Cottage is another fascinating place…

You can walk from the centre of Stratford on Avon out to Anne Hathaway’s cottage, in what was once the Hamlet of Shottery. It is a nice thing to do if you can, as it makes you realise how far William Shakespeare would have walked to court the woman who was much older than him. He had scarcely finished his schooling days in the guildhall, or perhaps they began their affair when he was still at the school. But he definitely made an effort to meet up with Anne, it was not a casual endeavour, and you can mull over of his potential feelings and intent as you walk. While most of the walk is now through housing estates the cottage itself still feels as though it’s in a village location.

The cottage, Anne’s family home, where she was born and raised until she left when she married William, is preserved in the state it first became a tourist destination in the 18th Century. This home for sheep farmers was originally called Hewlands Farm. Its first phase was built in the 1400s, a simple long hall like dwelling that was leased to farmers by the land owner (very much like the house I live in). Unlike the guildhall in the town, this humble dwelling did not survive with many of its original features. As someone’s home it would have been updated with new fashions, and was extended as ways of living changed over the centuries. However in the 1700s they were far from modern ways of living, which means many very old structures and furniture has survived in situ.

You’ll see on these boards how the cottage changed over time to look as it does now …

What I loved most about the cottage, though, was the stories the guides told, and the best story, was why this property is so well preserved.

When Stratford on Avon became a place of pilgrimage for the famous, wealthy and other literary tourists, as I explained in my blog about why we remember and celebrate William Shakespeare’s birthplace, Anne Hathaway’s descendants had fallen on hard times financially. With these travellers coming to see and touch anything that had anything to do with Shakespeare, they saw on opportunity to earn money from their deceased relative’s good fortune and opened the door of the cottage to tourists. Visitors were told tales about the love affair between Shakespeare and his then future wife Anne.

A letter from Samuel Ireland, the 18th Century author, to his friend John Jordan, explains how Susanna Taylor, nee Hathaway, had sold him the exact chair that Shakespeare had sat in to court Anne. Who knows if that ‘courting chair’ was really in the house at the time of Shakespeare. Perhaps even Susanna didn’t know if that was true or not… There were records in the house that recorded visits from many of the renowned Regency poets too. Lord Byron, Shelley, and great actors like George and David Garrick, spent hours at the cottage, visiting regularly because the setting gave them inspiration. Even though at the time it was still a simple small farm. The family were making so little the house was split into three properties so they could rent the two ends of it to others.

Then came a more wily woman. Mary Baker, Susanna’s great grand-daughter, was definitely what we would call an entrepreneur today.

Mary saw the numbers of people visiting the buildings connected to Shakespeare’s life in the town grow, and in comparison hardly anyone would walk out to Hewlands Farm in Shottery. So she had a genius money spinner of an idea, she renamed the farm Ann Hathaway’s Cottage to make sure people would know the connection. It worked, it brought an increase in visitors. She gave them tours of her home, and told tales of William’s and Anne’s love affair, even talking through where they would have made love before their wedding.

She charged for everything – for her time, to serve tea and a ‘Shakespearean pork-pie’ in the very sport where William would have made love to his Anne, and for people to drink from the well that he would have drunk from. She gave people a gift from the garden too, picking single flowers to give to visitors to keep as a memory or send to others, again supporting the sense of romantic living.

She kept a visitors book, and even Charles Dickens and Mark Twain are recorded as visiting.

Her best story/hustle that I discovered, though, were the pieces of wood she allowed her visitors to chisel off an old oak two seater settle where she claimed William Shakespeare sat beside Anne during they’re courtship. The current managers of the property, The Shakespeare Trust, know that the settle is no where near that old. It was complete nonsense and Mary Baker knew it.

It makes me wonder what other tales she made up to con these gullible visitors. Ha! Ha!

So, what is original to William Shakespeare’s days in the cottage? …

The floor! the flagstones on some of the floors, polished by so many feet, and the door frames Anne and he would have walked through.

As you can tell, this is another place I would definitely recommend you visit if you go to Stratford on Avon.

Before Queen Charlotte there was Princess Augusta (1719-1772)

In the 1700s knowledge was power. In a world where literacy was still rare, learning was something to be respected, and therefore anyone who needed to be respected had to be able to talk with a perspective of knowledge. A king, of course, then, must have enough knowledge to ensure they could stand out amongst other knowledgable people, so their wealthy and powerful courtiers would serve them out of respect and loyalty.

A king also needed knowledge to ensure they would not be fooled or tricked by others who were hungry for power. There were new challenges in the 1700s too, because the world had opened up for wealthy young men to travel, explore, and see the achievements of the world’s cultures for themselves. This immediately put princes at a disadvantage because travel was still dangerous, and in a volatile time for uprisings it was far more of a risk for the heir to the throne to travel.

King George III’s mother, Princess Augusta, realised this and created a space King George III could experience and learn. She wanted her son to succeed when he became king. The White House that was at the time the palace used at Kew, on the edge of the Thames, then outside London, was where the princes were tutored, so, to enable George’s learning Princess Augusta redesigned the gardens.

Below is the garden she planned for her son with designers and architects who sought to recreate the experiences of the world outside the palace gardens.

The image above, however, does not really express the spectacle of the gardens in the 1700s. Some of the folly buildings have gone, but the tall, dramatic, Chinese style Pagoda on the left in the above image has recently been refurbished, and this alone shows just how much was invested into creating a stunning landscape for young George to explore and expand his understanding of the world outside the palace. The Pagoda is thought to be the tallest building in the country at the time it was built, and George III would have studied and watched how this was built.

The Images below are of the Pagoda as it is now. I hope from these pictures you can see how grand this is and therefore how much the Princess invested into her son’s garden and the development of his knowledge and experience.

To give you an idea of the size of the Pagoda, someone is standing in the circular porch, there is also a video about the restoration available here . (You can click on the images below to view them in full).

When I saw this amazing Pagoda built in a Chinese style in the palace gardens at Kew, I thought of the Chinese inspired interiors of the Royal Pavilion in Brighton. The Royal Pavilion in Brighton was built for George III’s son and heir, Queen Charlotte’s eldest son. The Regent who became King George IV. The Royal Pavilion looks like an Indian Palace on the outside but is dressed like a Chinese palace inside with gold dragons holding up chandeliers and curtains. You can see inside the Royal Pavilion here on the museum website. My mind connected the two buildings because George IV did not get on well with his father and I can imagine him wanting to make something even more impressive than the Pagoda. Or perhaps, as a boy King George IV would have lived amongst his grandmother’s follies too and perhaps he held on to fond memories of the Pagoda from his childhood. King George IV was an obsessive collector of foreign artefacts.

King George III was well known for his interest and knowledge in botany, he was nicknamed ‘the farmer’ because of his involvement in the practical management of his royal land estates. It’s commonly known he returned to Kew when he became mentally ill because Kew palace and its gardens were a comfort to him. He loved Kew, and from this perspective, of an Eden created especially for him by his mother, I can understand why.

The layout of the garden at Kew has changed since the 1700s, but the garden is now The Royal Botanic Gardens, which is a wonderful legacy of Princess Augustus’s desire to teach her son. What she started is still a place of learning that’s now accessible to everyone.

Copyright for the images of information boards belongs to Kew Gardens.